About
Documentaries. Portraits. I work with those who have built something concrete and can argue it: researchers, founders, voices from international programmes.
No templates. Each project is built around the subject, the context, and where the film will live.
I work where press releases compress too much and the keynote is over too soon.
Portrait
I film those who have devoted years to an idea, a discipline, an institution.
Scientists, economists, designers, directors of international programmes, voices from universities and research centres.
I work between documentary, interview and short-form, handling direction, cinematography and editing.
Projects originate inside universities, summits, foundations. The form changes; the gaze does not.
Contexts
I work where access, time, and the discipline not to oversimplify all count.
Universities and research centres, summits, foundations, independent brands.
How I work
Preparation matters as much as the shoot.
Every interview begins with a conversation off-camera. I understand the subject's thinking before staging it.
After the shoot, post-production is the longest phase — often longer than the client expects.